The Student’s
Wife exhibits the kind of writing style I wish to integrate into my own
writing. Raymond Carver creates two characters that become so real and
relatable in just a short prose piece. Carver begins with husband who is tired
and ready for bed, but when his wife wakes up the bland characters that were
briefly introduced become dimensional in an unexpected way. Carver first
illustrates the character’s actions, which adds better detail than saying “the
husband was tired” or “his wife sat up and wanted to talk to him while he tried
to sleep.” An example of detail that stuck out for me was when the husband asks
his wife about her dream. We know, without the writer explicitly saying so,
that the husband is asking out of courtesy and not genuine interest because he
asks her this as he turns onto his side away from her. Along with the details,
Carver adds dialogue that gives the characters, especially the wife, dimension.
When the wife starts listing her likes and dislikes, we the readers are
entering her thoughts. We don’t know who Janice Hendricks is but we know that
she means something to the wife and therefore wanders around in her mind. The
wife at the end says that she wants to “live a good honest life without having
to worry about money and bills and things like that.” So much is revealed about
the wife in that section of dialogue, however I’m still left surprised when she
gets on her knees and prays for God’s help at the end. This is the kind depth I
want for the characters I write about. I want to keep my readers surprised like
Carver has done beautifully.
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